{"id":428,"date":"2024-10-29T12:17:38","date_gmt":"2024-10-29T17:17:38","guid":{"rendered":"https:\/\/masquerades.noma.org\/?page_id=428"},"modified":"2025-07-09T11:21:54","modified_gmt":"2025-07-09T16:21:54","slug":"collaboration","status":"publish","type":"page","link":"https:\/\/masquerades.noma.org\/fr\/exhibition-themes\/collaboration\/","title":{"rendered":"Collaboration"},"content":{"rendered":"
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Herv\u00e9 Youmbi : Des artistes Commandent des \u0153uvres \u00e0 d'autres Artistes<\/h2>\n\n\n\n

Collaborations: Cameroun<\/h3>\n\n\n\n


Cette exposition met \u00e0 l'honneur et c\u00e9l\u00e8bre des artistes masqu\u00e9s individuels largement reconnus. Pourtant, les masques sont souvent cr\u00e9\u00e9s de mani\u00e8re collaborative. Dans cette installation multim\u00e9dia, l'artiste et co-commissaire Herv\u00e9 Youmbi a travaill\u00e9 avec le sculpteur Alassane Mfouapon, le tailleur Kingsley Ngwa, les perleuses Nadine Chewo et Marie Kouam, les perruquiers Fr\u00e9d\u00e9ric Feudjeueck et David Kengn\u00e9, ainsi que des membres des soci\u00e9t\u00e9s de masques Tso et Ku'ngang (dont son ami de longue date et artiste Herv\u00e9 Yamguen) pour cr\u00e9er des masques hybrides qui m\u00e9langent la culture pop et les styles de masques traditionnels.<\/p>\n\n\n\n

La collaboration se manifeste \u00e9galement dans la mani\u00e8re dont les masques de Youmbi circulent entre le monde artistique international et l'univers rituel des performances dans les Grassfields camerounais, et plus r\u00e9cemment au S\u00e9n\u00e9gal, l'artiste collectant la documentation de chaque \u00e9change transactionnel. Le travail de Youmbi rappelle subtilement aux spectateurs la nature fugitive du sens, chaque nouveau contexte ajoutant de la beaut\u00e9 \u2013 et de la valeur \u2013 \u00e0 l'histoire d'un objet.<\/p>\n\n\n\n

L'artiste s'interroge \u00e9galement sur les limites de la conservation et de la cr\u00e9ation de connaissances, pr\u00e9figurant l'int\u00e9r\u00eat croissant pour la transparence des mus\u00e9es et les restitutions : Quel a \u00e9t\u00e9 l'impact du d\u00e9placement des objets africains sur ces derniers ? Comment le fait de mettre en avant la vie sociale active et continue des objets, ainsi que les mains humaines n\u00e9cessaires \u00e0 leur fonctionnement, peut-il transcender les fronti\u00e8res culturelles des mus\u00e9es eux-m\u00eames ?<\/em><\/p>\n\n\n\n

\n
Th\u00e8me de la prochaine exposition<\/a><\/div>\n\n\n\n
D\u00e9couvrez Herv\u00e9 Youmbi<\/a><\/div>\n\n\n\n
Voir la galerie Cameroun<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"

Herv\u00e9 Youmbi (n\u00e9 en 1973), produit dans les ateliers d'Alassane Mfouapon (sculpteur), Fr\u00e9d\u00e9ric Feudjeueck (coiffeur) et Marie Kouam (perleuse).
R\u00e9gion Ouest, Cameroun Bamil\u00e9k\u00e9 y\u00e9gu\u00e9<\/em> masque en forme de caisse Bamil\u00e9k\u00e9 atwekang<\/em> Masque repr\u00e9sentant le personnage Ghostface.
Bois, cheveux, perles, cauris, pigments et tissu
2015 – 2017<\/figcaption><\/figure>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Herv\u00e9 Youmbi: Artists Commissioning Artists Collaborations: Cameroon This exhibition privileges and celebrates individual masquerade artists who are widely acclaimed. 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